Canadian everymans latest play explores love, marriage and everything in between
Who: Nils Ling
What: The Truth about Love and/or Marriage
Where : MY (Millennium) Place Theatre
When : Friday, Oct. 3, 8 p.m.
Tickets : $15 - $18
A toast to the everyman performer.
It doesnt matter that theyre up on stage, they could still just as easily be your dad, neighbour, or grocery store clerk. They talk or sing about the little things that happen to all of us, and somehow, through their eyes, life becomes more interesting, more humorous and even a little bit touching. In this age of makeovers, plastic surgery and rock star fantasy camps, the everyman makes us feel good about being exactly who we are.
There are few better at the everyman game than Nils Ling, the actor, syndicated radio columnist and raconteur who will be performing his new one-man play The Truth about Love and/or Marriage next Friday at MY Place.
The play is a sequel of sorts to the wildly successful Truth about Daughters, which Ling, who calls a P.E.I. farm his home base, has toured across Canada and around the world for the past five years. Like Daughters , the new work is a one-man play, and not simply a stand-up style act of random observations. In it he plays a political columnist for a magazine ordered, to his dismay, to write a series on relationships. Its a role that he says goes beyond his character in Daughters , which he describes as "me playing me."
"After so many years of performing Daughters I was more prepared to take some chances with the audience," Ling explains, "more trusting that the audience would stay with me for the ride."
That ride will include all the laughter Ling fans have come to expect from his attempt to decipher the gender gap, but perhaps also a few tears. Amidst the he says/she says light-hearted kookiness, the new play includes a poignant examination of true love and the quest to find it at any age.
"Ive sprinkled through the play what I think are absolutely beautiful and, I have to point out, absolutely true love stories," says Ling. "When I heard them, or had them told to me, they resonated with me. They were, I thought, perfect examples of what we should be looking for in this life."
Its the type of material that has the capability to draw what can best be described as a collective, lump-in-the-throat sigh from the audience, something Ling says approaches the "big laugh" on the performers scale of audience reactions. Although, he admits, every audience is different and he prefers not to predict or manipulate, describing his role as that of a "contractor."